The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.
Here’s an excerpt:
The concert hall at the Syndey Opera House holds 2,700 people. This blog was viewed about 15,000 times in 2011. If it were a concert at Sydney Opera House, it would take about 6 sold-out performances for that many people to see it.
Wishing everyone an interesting and satisfying holiday season and 2012.
Last time I wrote about my Honeymeade shawl, in Tunisian lace. The project I am writing about today preceded it but I was somewhat disappointed with it and so I didn’t feel like blogging it.
The thing was, it was made in Knit Picks Palette, a 100% wool yarn. I liked the colour a lot, but had two issues with the yarn itself. First, it is listed in the Ravelry database as a fingering yarn, which I find hard to believe; second, being wool, it needs blocking and reblocking, which daunts the lazy in me.
Anyhow. What you see above is what it looked like after my first attempt at blocking. I was quite unhappy that the eyelets hadn’t opened up to be lacy enough. The shawl is dense. I did love the technique, though, which uses linked stitches turned sideways (making them Tunisian short rows) and decreases and yarnovers to make it lacy. Quite a lot of fun to do. As I doubtless mentioned in my post about the Honeymeade.
See? No holes, Ma!
So I grumbled. But then a friend suggested I should soak the thing overnight so the wool absorbed water and then block it again. Look now.
Look! Holes.
I’m a convert. To the extent that soaking and blocking does seem to be effective. But I have a sneaking doubt, given the humid climate I live in, how long before the shawl shrinks back?
Oh, and just see what a difference the right model makes. I found a natural model in my neighbour, who showed off the shawl much better than I could have.
That's how it's done.
This is the Dublin Bay Shawl pattern from Aiobhe Ni Shuilleabhain (Rav page).
I’m feeling very chuffed with myself just right now. I finished my latest test crochet, which involved a sideways (pun intended) way of looking at regular crochet. It’s a lovely shawl using lacy interlinked stitches, plus the colour, for once, is harmonious. Take a look.
Doing its thing on the lawn.
It was a toss-up whether I should use a lull in my schedule to blog or get back to knitting on the Summer Mystery Shawlette or a project I’m testing for someone on Ravelry. Blogging won narrowly, if only because I can finish and get back to knitting. But once I lose the impetus to blog, it’ll not come back for a while.
I was reassured that I still do have readers (thank you, you know who). I’m not surprised that in general the incentive to blog or read blogs has declined with the rise of Ravelry. One neat project page there gives you absolutely everything you’d want to know about a project. Which means that writing a blog post that is interesting of itself is a great challenge. Some manage to do it with sheer brilliance of writing, some add personal details or philosophy, and some floor you with amazing images. I cannot do any of those; my writing is technically fine but lacking sparkle, I have no philosophy I’d feel comfortable sharing, my personal life is humdrum and my photography barely passes muster. Much of this is due to laziness, of course, and therefore self-perpetuating. I do not, of course, speak of those creative people who actually make up patterns or techniques and therefore have their blogging raw material handy.
However! As a tribute to my readers that are, here are a couple more things I made a while ago and never blogged about. They were commissioned by a friend for her toddler son but arrived too late to catch the fag end of last winter. Both were made with acrylic available locally, as being easiest to find and care for.
The first was the popular Baby Sophisticate pattern, which I adapted slightly to suit my yarn (a heavy worsted weight) and the finished size I was aiming for (Ravelled here). The second was Ola’s Vest (project page here) which caught my eye because of the stitch pattern. The mostly stockinette patterns suited me, since the yarn was thick anyway. I didn’t want to end up with body armour.
I only used my brain in working out how many stitches to cast on for the Sophisticate (which seemed to have worked and anyway I had a lot of help from the projects of other Ravellers), and in trying a different decrease for the v-shaping of the neck ribbing on Ola’s. The latter wasn’t very successful, since I was aiming for a sort of “merging into one another” sort of look and ended up with, “oh dear, that looks a mess, so glad it’s a small bit”. Ah well.
Both went to their owner, but I suppose I’ll have to wait until winter for posed pictures. The ones I took were poor, since I wanted to get them mailed off quickly (I’d delayed the finishing of them quite a bit so my conscience was troubling me already), so you’ll pardon me if I show dark indoors photographs. They are as yet my only mementos. The second one first.
Ola's vest
I must add, though, that I was fairly happy with how the ribbing ended up on the sleeves and neck. It looks as it ought to. I’m never comfortable with picking up stitches “evenly”. The thing grew, though, in the wash and now I wonder if I will have to wait until not this winter but the next to see it worn! That’s if the world hasn’t ended from a variety of causes in the meantime. The other thing to note is that my new (then) bamboo circular needle did not give me much pleasure. It was far too grippy for the acrylic (as I found on another more recent project) and I had to change to Denise plastic, which then worked swimmingly. Except that due to my hate of cutting yarn, I left ends dangling and purled instead of knitting, which made picking up the long slipped stitches a bit of a challenge. You want to solve one problem so you cut corners and create another!
And here’s the first sweater.
Trying for an artsy shot but failing
The blue-grey of this one means you get no idea of the actual colour from my photograph. Tough.
I didn’t weigh the sweaters, so I don’t know how much yarn they used. Yarn here is sold by weight and not length, which usually isn’t a problem if you are the creative sort of knitter and make up your own patterns or can just look at a finished piece and guess how to make it. You then generally have the knowledge to ask the guy in the shop for exact amounts of yarn. If you aren’t on the other hand that sort of knitter but rely heavily on being spoonfed by someone else’s hand, then you just walk into the shop and tell him the size of person the sweater is for and they can generally tell you how many grammes of the yarn you’ve chosen you will need to a nice degree of accuracy. Your problem then comes if you are using several different colours for a specific pattern and have to estimate how much of each you might need. Then you just buy and hope for the best. It’s a toss-up.
With a shock I realised I last blogged at the end of January. Shameful! Do I even have any readers left? In my defence, much of what I made since then has been on commission for others, which, while not secret, hasn’t had any modelled pictures forthcoming. I’d been waiting for those. But they never do materialise. Sad but true. Ah well.
Anyway, here are two easy but elegant shawls in crochet I made to test the patterns for the designer. I love how fast crochet shawls work up (though since I used laceweight for the second one, it did take a while). The first is the V-front shawl, which I used acrylic 4-ply yarn for. The design is slightly unusual and fun to do. It sped by. Details on my Ravelry project page. This one has gone into my “giftables” stash.
Artsy shot of V-front shawl
The second was Viva, and used the remainder of a skein of wool laceweight yarn I made a knit shawl from for someone on Ravelry, details of which are below. Because of the fineness of the yarn, this one took a while. Also, as per usual, I was working on the edge of my seat, in not knowing how far the yarn would go, and obviously I had no way of getting more (I could have, probably, but only with some effort). So I decided to work the two halves from either end of the skein, which had luckily been wound into a cake by the giver. The construction of the shawl was clever and helped in this, since the centre is worked first and then the two halves. So once I’d decided the centre was large enough, I simply burrowed in for the second end of the skein and just worked on the other half while using the outer end to continue on the first half without cutting. To make sure I made the two halves equal, I did two rows on one half and then two on the other. This worked excellently and I was able to finely balance the yarn to its fullest use. Win! The shawl has been given away since. A modelled pic and others in my project page.
Artsy shot of Viva
The other shawl (the fraternal twin of this one) was knit from the popular Multnomah pattern, on commission from the giver of the yarn, on Ravelry. Plain and serviceable, I’d call it, since the yarn was monotone and therefore not very exciting visually. But warm, I should think. Details, again, on my project page.
Yes, artsy shot of Multnomah
Interesting to compare how the yarn works with knit vs. crochet, yes?
I hope to be less dilatory with my next post.
For someone who hates most change and resists changing handbags for fear of forgetting to transfer something essential, I do love making bags, both knit and crochet. Then I give most of them away.
This one I made last year for a friend on Ravelry. No, I lie. I actually made it to test the pattern for the designer, and then the friend said she liked it. So we swapped. I hope she’s getting use out of it.
The yarn was Lion Brand Kitchen Cotton someone sent me in a RAK, with a 3.75 mm hook. I find the kitchen cotton sort of yarn is best suited for bags. It’s too thick for dishcloths and not nice enough for wearables. But it makes nice sturdy bags and purses.
The handles were a gift, too, and what makes me happiest about this bag, since I crocheted them in while making the bag, rather than sewing them in later. So no fiddling with needle and yarn after the fact!
Since it is styled as a Sunny Summer Tote, I suppose that would have been enough, but I decided to line it with some silk I bought. I added a pocket as well.
The pattern is simple enough and seamless, and works up quickly too. Here’s a close-up of what I did for the handles. I held the handles in position, and then made the sc inserting the hook into the hole meant for attachment (does it have a special name?) and around it into the row below and then finishing the sc in the usual way.
The primary reason I like bags is that they finish fast, I think. But somehow I usually make them with colours which mean I cannot use them like regular purses. Most of my accessories are black or brown so I don’t have to worry about matching them!
Next up is a pattern which has become very popular, being a knockoff of a designer bag, I believe. Yes, the Nordstrom bag. Another quick and easy pattern and easy to modify. That explains why it is so popular. I made several of these, with kitchen cotton, and some of the Russian cotton that saw me through many projects. The handles were gifts again. I haven’t found sources for anything other than bamboo handles here.
The one modification I made was to made the 4-dc shell into the space between the second and third dcs, rather than into the third dc as the pattern recommends, because somehow I didn’t feel that would be symmetrical. Again, I sc’d the handles into place, having to redo them a few times to get it right. I lined all three and they went to three sisters. Blessed if I can figure out why the text is not wrapping around this image.
Here’s my project page. I need to make more bags.
Update: I don’t know why I didn’t add this one earlier, but perhaps I didn’t because it was supposed to be a surprise for my friend who got the tote. So here is a picture, and more details in my Ravelry notebook.
The one that started it all.
We had some unseasonal rain here in Hyderabad (where I’ve been visiting for the past few weeks). What I made will not protect against that. It’s entirely decorative, with very little practical application. Only the “Ooh” factor.
Doily on a frame
I’ve long been watching all the gorgeous crochet parasol patterns whenever I come across them, and been wanting to make one myself. I didn’t think I ever would. Then inspiration struck. I’ve been using this modified shawl as a tablecloth on the coffee table in Kochi. I removed it after Chandra began “cruising” (walking with support), because I was afraid she’d pull it off and fall. Not too many eyes view it anyway, or appreciate it. So I thought I’d put it on an umbrella frame a la crochet parasols.
I thought about finding a large enough empty frame, but didn’t. After coming here, though, I saw an old grandfatherly type of umbrella my father had, its original silk slightly moth-eaten, and it struck me as ideal for the purpose. From the thought to the deed took only as long as it took to sew the lace to the spokes, after ripping the silk from the frame. The central cast-on was sloppy enough to allow me to simply poke the top through. I wondered if I should let the excess lace droop around the spokes, but then decided against it.
Instead I ran some spare yarn through, tightened it, knotted it and wove the ends through. And there you have it.
Something I made that actually looks like art! I wish I could get a larger audience for it, though! I think not enough people noticed it in Chandra’s birthday party, stuck as it was over a light above the mouthwatering dinner spread. Plus I was too busy hostessing to point it out to people who’d appreciate it. I think I shall tell my mother to carry it around when she goes out in the summer. She was after all, partly responsible for me doing this, by asking if I could make a crochet parasol like one she saw at a saree exhibition once.
Side on
ETA: I only realised now that I haven’t linked to my Ravelry project page on this post. Remedying that right away.
A blog post from me after almost 6 months! Hope you’ve picked yourself up from the floor and haven’t hurt anything seriously. Things just got away from me, I’m afraid, and I just settled for recording my crochet/knitting progress on Ravelry, not that there was much to record, in any case. A combination of a growing baby and trying to do as many work assignments as possible (first, to replace my poor old iBook, and next to try and make enough for a trip to Malta next summer) meant I had little enthusiasm left for updating my blog.
What you see here is one of the few crochet projects I did complete, though I took a bit longer than I should have. It’s a test project for the designer, with yarn I bought in a destash from a friend.
The stitch pattern is fairly easy and you could memorise it in two repeats. What makes the (Rav link) Ashley Sweater (I wouldn’t call it a sweater, but then I’m not American – it’s a top) interesting is the neck detail of the folded back flap in a contrast colour.
Points of interest:
1. If I were to do it over, I’d choose to make it in the round and then split for the yoke, to save on the seaming of the sides. Even with the pattern repeat clearly marking the way, I wasn’t sure the seams wouldn’t pucker when I’d finished. Thankfully it didn’t but I don’t think that’s a reflection on my seaming skills, only a mad fluke.
2. Despite what the design says, I don’t think there is a “right side” and a “wrong side” to this pattern. Both look equally presentable, so doing it in the round wouldn’t make a difference to the appearance.
3. Trying to get the gauge specified in the pattern almost killed me, and where the original recommends a 4 mm hook, I used a 2.5 mm Clover. Only to have the actual garment gauge shrink compared to the swatch (doesn’t it always?). So I used the stitch counts for the 38″ finished bust size to suit my width (34″), and added one extra pattern repeat on the front before starting the sleeves, one extra repeat in the sleeves, one in the neck region and one more on the back after ending the sleeve section.
Even with all that, it shouldn’t have taken me so long, except I was demoralised by the gauge problem and couldn’t bear to take it up to finish. I have very little staying power or determination. In anything. Outside of staying up far too long to finish reading a pulpy novel.
4. The yarn (Rowan Linen Drape, now discontinued), came on those huge cardboard cones which lull you into thinking you have a mountain of yarn, when it’s mostly air. Good for my stashbusting, since using 9.5 skeins meant there’s a nice large hole in the stash. No knots in all those skeins. A trifle splitty, but not annoyingly so. A subtle shade, too. The only problem is the top weighs almost half a kilo. Perhaps wool would be lighter for the yardage, but then a holey woollen top would be impractical for all sorts of reasons. Acrylic might be a better bet (Indian acrylic, though, not the stiff and rough and thick foreign kind).
As always with crochet, I find it to give me a dense heavy fabric (though to be fair even my Crest of the Wave knit top is heavy – I never blogged that one!). So (a) I should rethink my instinct to use cotton or related heavy yarns (b) go down to no more than sportweight for crochet projects. Acrylic fingering weight, here I come!
I’d have loved to see how this yarn would work in a knit project, though.
5. I smartly bought a grey slip to wear under this, since I don’t want to be accused of obscenity again or prevented from wearing it in public (which both happened to me thanks to the husband and his mother for the abovementioned Crest of the Wave despite teaming it with a slip).
Which brings me to the other grievance, that having to wear so many layers makes this a difficult top to wear in the Cochin weather, where the temptation is to take as much off as possible, for as long through the year as possible. The same for the other top, making the whole rationale of choosing cotton (or linen-blend in this case) irrelevant.
So perhaps my next crochet wearable for me or Chandra will be acrylic. We shall see.
 | Love To Crochet on 2011 in review |
 | Yarny Days on Season’s Greetings! |
 | Chandramouli on A toss-up |
 | Sandi Hall on No-button Towel Topper |
 | Judy on Pattern unknown |
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